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Medusa artesanal de António Ramalho, olaria tradicional de Minho, Portugal
António Ramalho

Medusa

53,00 €

Available

Ra-Ro IndexVery RareWhat is the Ra-Ro Index?

We found António's Medusa to be a spirited and visionary fusion of ancient Greek tragedy with the popular 20th-century clay figures of Barcelos. We would even dare to say: a kind of unique piece of Greek-Barcelos mythology. Our apologies to...

Read the story of the piece
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  • Worldwide shipping
  • Free returns within 14 days
  • Secure, encrypted payment
Handmade byAntónio Ramalho
Dimensions

Diameter > 12 cm
Height
> 29 cm

Care

Handling
Due to the unique, handcrafted nature of this piece, please handle it with care to avoid accidental knocks or drops. Avoid sudden changes in temperature, as this can cause cracking.

Storage
If used for decorative purposes, use a dry cotton cloth or soft brush to remove dust.

Store in a safe place where it is protected from possible impacts.

Shipping and returns
Shipping time: Approximately 48h

We ship worldwide. You have 14 days to return the piece free of charge. Payment is secure and encrypted.

Barcelos clay figure

Medusa

The Medusa of Greek mythology, shaped in clay in Barcelos.

Ra-Ro IndexVery Rare
What is the Ra-Ro Index?
The story

Created by António Ramalho’s mother and now made by his hands, this Medusa brings together *Greek tragedy* and the *clay figures of Barcelos*. A piece of *Greek-Barcelos mythology*, with the glassy texture that is António’s signature.

Story of the piece

Medusa

The clay monster that blends ancient Greece’s and Barcelos’s mythology.

The masterful potter António Ramalho is the great-grandson of Rosa Ramalho, one of the most popular Portuguese potters to this day, who shaped the famous clay figures of Barcelos throughout the 20th century.

It was António Ramalho’s mother, also a potter, who created this Medusa, now crafted by the hands of a man who grew up with a very conscious doubt about his heritage: Where do I fit in? Does my work belong on the same shelves as these incredible women who taught me everything I know?

That is a lot of pressure. But sometimes, pressure simply gives way to talent. So - Medusa.

With snakes in place of hair, as the myth goes. Her face so horrific - or, depending on the version, so beautiful - that anyone who looked upon her would instantly turn to stone.

We couldn't stop looking at her, just as she was made by the potter António Ramalho in his workshop in Barcelos (Minho, Portugal). Far from turning us to stone, the piece made us smile.

It is a work of love and homage, with the vitreous quality and texture of the piece revealing themselves as António’s unique and most distinctive characteristics. He has every reason to be a proud bearer of this incredible family legacy.

We found Medusa to be a witty and visionary fusion of ancient Greek tragedy with the popular clay figures of Barcelos from the 20th century. We even dare to say: a unique piece of Graeco-Barcelense mythology. Our apologies to all art historians.

In numbers

The piece in facts.

Generations4generations

From Rosa Ramalho, his great-grandmother, to António.

Years old8years

When he sold his first little clay horse to a tourist.

The return2004

The year he came back to Barcelos to reinvent the family tradition.

Look at her. You won’t turn to stone.

See the piece

See every detail.

The Medusa
The face
The glaze
The design
Overview

The Medusa

Snakes instead of hair, as the myth demands.

  1. 1
    The snakesEach serpent is shaped by hand, with its own eyes.
  2. 2
    The faceNeither horrible nor beautiful: impossible to look away.
  3. 3
    The bodyDecorated by hand under the glaze.
Up close

The face

The expression that, according to the myth, turned people to stone.

  1. 1
    SerpentsA living crown of clay.
  2. 2
    The gazeOpen eyes and mouth, full of expression.
  3. 3
    ArmsCoiled like the serpents themselves.
Three quarters

The glaze

The glassy quality of the piece is one of António’s signatures.

  1. 1
    HairSerpents in every direction.
  2. 2
    GlazeGlassy, shining texture.
From behind

The design

Even from behind, the piece tells the story.

  1. 1
    SerpentsSeen from behind, intertwined.
  2. 2
    PatternHand-painted design all over the body.
About the piece

Dimensions and care.

Dimensions

Diameter > 12 cm
Height
> 29 cm

Care

Handling
Due to the unique, handcrafted nature of this piece, please handle it with care to avoid accidental knocks or drops. Avoid sudden changes in temperature, as this can cause cracking.

Storage
If used for decorative purposes, use a dry cotton cloth or soft brush to remove dust.

Store in a safe place where it is protected from possible impacts.

Shipping time

Approximately 48h

ABOUT THE CLAY
The technique

ABOUT THE CLAY

Barcelos clay carries centuries of ceramic tradition, being the material through which generations of artisans have expressed the culture and identity of the Minho region. Handcrafted, each piece maintains the authenticity of this unique cultural heritage.
DISCOVER OUR OTHER PRODUCTS
António Ramalho
Meet the Producer

ROSA RAMALHO'S GREAT‑GRANDSON REINVENTS TRADITION

António Ramalho grew up with clay under his fingernails, inheriting a family legacy that he has reinvented with imagination and unique expressiveness.

discover the story
António Ramalho
The journey

António Ramalho

Early Life and Family Heritage

Born in 1969 in Barcelos, António Ramalho grew up with clay under his fingernails and, at only 8 years old, sold a tiny clay horse he had made to a Spanish tourist. The son of Júlia Ramalho and great-grandson of Rosa Ramalho, two of the most iconic names in Portuguese ceramics, António learned sculpture as a family craft.

International Experience and Return to Roots

Years abroad in England and France gave him perspective, but it was in 2004 that he returned home to fulfil his family's tradition. Not to repeat it, but to reimagine it, a balancing act between honouring his legacy and finding his own voice.

Artistic Style and Themes

António's work is imaginative and expressive. It blends inherited forms, traditional Barcelos clay figures and a uniquely strange cast of surreal creatures glazed in green glass, one of his trademarks.

Exhibitions and Collaborations

His pieces have been shown everywhere from Braga's Cathedral Museum to contemporary alternative galleries such as RAMPa in Porto, where he has collaborated with young artists.
TIMELESS
António Ramalho grew up with a very conscious doubt about his heritage: where do I fit in? Does my work belong on the same shelves as those incredible women who taught me everything? That is a lot of pressure, but sometimes pressure gives way to talent. This Medusa is a work of love and homage, with the glassy quality and texture that are hallmarks of his work. We found the piece a witty and visionary fusion of Greek tragedy and the clay figures of Barcelos, a kind of one-of-a-kind piece of Greco-Barcelos mythology. Far from turning us to stone as in the original myth, the piece made us smile, showing that António has every reason to be a proud bearer of this incredible family legacy.
Questions

Everything you need to know.

What is this piece?

Barcelos clay Medusa by António Ramalho, great-grandson of Rosa Ramalho. A fusion of Greek mythology with Barcelos figures, with a glassy texture.

Which region is it from?

It comes from Minho, in Portugal. At Ra-Ro, every piece is tied to its origin and to the territory where it is made.

Who makes this piece?

It is made by António Ramalho, the producer Ra-Ro works with directly for this piece.

What technique is used?

This piece is made using the Olaria technique.

Are all pieces identical?

As a handmade piece, it may vary slightly from one example to another. That variation is part of its authenticity.

Do you ship worldwide?

Yes, Ra-Ro ships worldwide.

How do returns work?

You have 14 days for a free return.

Is payment secure?

Yes, all payments are processed securely and encrypted.

Take home a myth made in Barcelos.

53,00 € · available to ship

Buy now
Worldwide shipping14 days for free returnsSecure payment
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Medusa

RegionsFrom Minho to the Algarve, pieces with a true place of origin.
CategoriesPottery, cork, woodwork and many more crafts.
RaritiesThe hardest pieces to find.
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